At Scotland Yard, DI Timothy Stoker is no better than a ghost. A master of arcane documents and niggling details who, unlike his celebrity-chasing colleagues, prefers hard work to headlines. But an invisible man is needed to unmask the city’s newest amateur detective, Hieronymus Bash. A bon vivant long on flash and style but short on personal history, Bash just may be a Cheapside rogue in Savile Row finery.
When the four fangs of the Demon Cats of Scavo—trophies that protect the hunters who killed the two vicious beasts—disappear one by one, Stoker’s forced to team with the very man he was sent to investigate to maintain his cover. He finds himself thrust into a world of wailing mediums, spiritualist societies, man-eating lions, and a consulting detective with more ambition than sense. Will this case be the end of his career, or the start of an unexpected liaison? Or will the mysterious forces at play be the death of them both?
And just who is Hieronymus Bash?
We received an ARC of this book from Signal Boost PR for an honest review.
As spoiler free as possible !
Fra: What an absolute delight of a book this is! Entertaining, plot and character driven all set in a accurate historical setting and with romance to swipe you off your feet!
Karen: What frustrates me with a lot of historical’s is the balance between making a book feel accurate and ‘real’ and modern requirements of readability. In my opinion Selina Kray gets it spot on in Fangs.
Fra: I am happy to admit that historical romances are by far my favourite kind of romance.
I found that Fangs of Scavo was well researched which in turn lent the investigation at its core a well earned authenticity.
I won’t go into the mystery at the core of the book at all – I’d hate to spoil it for readers – but Kray managed not only to evoke the London of the time but also the undercurrent of spiritualism, rationalism and the strident relationship between aristocracy and the burgeoning middle classes.
One of the indicators of a good historical for me is the use of adequate language. Like you say, Karen, many a times in historical romances the language is strident to the narrative period: here I found Selina was able to use language to the complete advantage of the story and left me feel as if I was reading a novel from another time.
Karen: The character of Hiero in particular was so endearing, his love for his dead partner Apollo, and the attraction for Tim/ Kip is well balanced, and while the attraction is quite instant, there is no mention of love. I really really appreciated this.
Fra: Yes! I loved that too. I loved that both characters are very well settled in their lives: Hiero has become a quick favourite, I find him strong and vulnerable at the same time but unrelentingly unapologetic about himself including the love and relationship with Apollo. In this I must admire Selina Kray’s avoidance of the insta love – “let me chuck everything I have ever done/loved etc away because all I want is you, bloke that I met 5 seconds ago” trope.
There is undoubtedly attraction, mostly piqued by the fact both men recognise a “mystery” in the other; and Hiero and Tim are at the very -heady – start of a new relationship but oh how I appreciated the total lack of insta love and insta declarations of the big L word.
In fact I also very much appreciated the fact that – attraction and new beginnings notwithstanding both characters (well Hiero kicking and pouting, but still) are well aware of the circumstances they find themselves in and act accordingly. If I have a minor niggle is the addition of a tiny dose of angst in Tim’s behaviour towards the end of the book which I found a little bit forced.
Karen : What worked for me the best in this book was how the characters were both what you see, and totally not. So you had Hiero who appears to be the detective, is an actor and yet is actually a detective. Tim, who is a detective and yet is an actor, Callie who is a sweet young innocent, with a mind like a trap and a emancipated detective, Han and of course Goldie.
Fra: I thought the book was both plot and character driven: both MCs are richly fleshed out and expertly delivered: neither man is what he seems and I also particularly loved the way they are so very well layered. The appearance of both Hiero and Tim is at the same time incredibly deceiving and incredibly true. Hiero is flashy and ponce-ish to Tim’s carefully built unremarkable exterior: and yet both have secrets and layers of agency. Both play parts to an audience – although I must say that both MCs are aware quite early on of at least some of the parts the other is playing.
The secondary characters as well keep the layered approach well firm within the narrative: from Callie who subverse every single societal expectation of her while completely playing the system, to Han whose cultural identity deceives every bystander into underestimate him and his role within Hiero’s group to, of course, the rather splendid Goldie.
I think that one of the strengths of Fangs Of Scavo is the complex nature of both characters and story is enhanced by the writing and the narrative approach but it remains a delight to read without ever becoming unnaturally complicated nor ever slipping into condescension and “lecturing mode” which seems to be the norm of many romance novels of lately.
Karen : I agree with that, Fangs never talks down to the reader, and is a real pleasure to read, SK writing style is very well suited to historicals, and my only (minor) complaint is that the language at times veers to the overblown.
All in all this was great fun to read, it delivered a well written story tight in both plot and character development; it also managed to satisfy on development of the book itself while at the same time making us want to read more not only about the two MCs but also about every single one of the secondary characters and how they have all ended up together, we’re keeping our fingers crossed for more books in this series !
Enter here to win a copy of the book