Venery books 1+2

An Exaltation of Larks

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September 11, 1973: Eleven-year-old Alejandro Penda watches from his apartment window as Santiago, Chile falls to a military coup, destroying his family and his childhood. Arriving alone in America, he’s taken in by the Larks: a prominent family in the town of Guelisten. Though burdened by unresolved grief for his disappeared parents, he becomes fiercely loyal to the Larks, eventually marrying one of their daughters, Valerie.

September 11, 2001: Javier Landes watches from his apartment window as New York City falls to terrorism. As one of Manhattan’s top-paid male escorts, this professional lover has never lacked for company and is loyal only to himself. But in the wake of 9/11, Jav is named guardian for an orphaned nephew in Guelisten and must open his carefully-guarded heart to pain he’s long suppressed.

Alex, Valerie and Jav meet first in their twenties, with a sudden attraction each finds strange and compelling. When they meet again in their forties, they discover not only is their bond still strong, but their life experiences are strangely similar. All have been shaped by separate 9/11’s, and their unfinished business from the past will change everything they know about love, loyalty and friendship.

“Life has rules. You cannot come in the middle of the night and take what we agreed isn’t yours.”

Across three decades and two continents, Suanne Laqueur’s fifth novel explores the unpredictability of sexual attraction, how family ties are forged, torn and mended, and how love’s downfall can turn to exaltation.

A Charm of Finches

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“I swear. Give me one more chance and I will make the most of it.”

Ex-hustler Javier Landes is asking for his third chance at love. The third time proves to be the charm when he meets a Manhattan art therapist named Steffen Finch. What starts as casual and curious deepens into a passionate, soulful relationship—everything Jav has ever wanted, and everything he fears losing.

Stef’s business card reads Curator & Sailor. His creativity and insightful nature have made him into a talented therapist, the one to call for tough cases. His professional success can’t conceal a deep need to connect with someone, but Javier Landes is the last person Stef expected.

Geronimo “Geno” Caan is Stef’s most challenging case. To cope with his ordeal, he’s allowed an alter-ego called Mos to make decisions, and now lives a double life within a web of lies. Under Stef’s navigation, Geno uses art to express what Mos forbids to be spoken aloud. But as Geno’s attachment to Stef gradually extends to Jav, the boundaries between professional and personal begin to blur.

Over the course of a year, Jav, Stef and Geno form an unexpected and unconventional triangle, revealing how men make love in times of war and how love is a great wisdom made up of small understandings. The long-awaited second book of the Veneryseries, A Charm of Finches is an epic tale of survival and secrets guaranteed to make you think and feel and remember.
Karen: It seems fitting to kick off 2018 with the last two books I read in 2017, and a big thank you to Fra, if she hadn’t persuaded me that I’d misread the tags for these books I don’t think I would have read them. ( I though they featured m/m/f which I don’t particularly like). Larks, the first book, captured so well the essence of an established relationship, and how adults react when faced with events they never thought they would have to deal with. And Finches was on one hand a more traditional love story, then also a terrible and uplifting tale of how a young man dealt with some terrifying issues.

Fra: I think you are right Karen, 2017 was a very good reading year and these two books seriously closed it off with a bang. They made it right to the top of my favourite reads and I loved them so much I also ordered the paperbacks!

Excessive enthusiasm aside: it must be said, whomever labelled the books as m/m/f romance really did this series a great disservice.

The inaccurate label implied a completely different story than what we read and, as we said several times while reading, I almost did not even bother with Larks never mind jumping straight into Finches. Instead I fell head over heel in love with the story, the writing, the characters!

Karen: I read these books back to back, and while they are linked, in that some of the characters feature in both books, you could read either of them alone, but I feel that you would be missing out. I think that when some authors write romantic or love scenes they can infantise their characters. Often this can be done to provide tension, and of course the great misunderstanding/ miscommunication leads to the great declaration. But not here, Larks in particular takes some highly emotive issues, and has the characters talk about them. Often highly emotionally but always intelligently and with the kind of humanity and understanding that one always hopes will happen, if the situation happened to you.
Fra: This series is epic in scope, sweeping  over a 20 years arc framed and punctuated by some of the most tragic of world wide events. The writing is rich and sensual – like chocolate, a treat for a rainy, cold day.

The plot intertwines the lives of the protagonists in the most realistic manner and while it is sustained by some outstanding writing it never skirts on the difficulties of the characters lives and choices. I am not sure I could have waited between one book and the other.

Fra: One of the things I loved the most about the series is the amazing portrait of women, especially Val. She is one of the most beautiful fictional women I have read in a long time: she is creative, emotionally intelligent and understands love – with her siblings, with Alex,  her daughter and Jav – in all its facets. She is strong and vulnerable at the same time, loyal and brave. I was in awe.

Her relationship with Alex, her marriage, is beautifully portrayed and I especially  loved and appreciated how these two work at making it work, how they understand the difference between “wanting” and “having” and end up with strongest relationships all around because of it.

If Val was the driving force of Larks and Alex its loving center, Jav – IMO – is the beating heart that bridges both books.

Jav is a splendidly written character especially in showing the reader an emotionally stunted man who has a whole lot of growing up to do when it comes to being loved and love in return. In the most loose and distant way he reminded me of Hsin Vega, another male character with a lot of circumstances that stunt his emotional growth.

In Larks the narrative establishes the possibilities of love in all of its facets in Jav’s mind, and in Finches it delivers a loving relationship together with full acceptance of himself and his sexuality. And it was a thing of beauty.

Karen: Val is a wonderful character, in her 20’s her involvement with Jav set the tone perfectly for the woman she was becoming, honest and with her own morality, something that doesn’t disappear when she’s faced with situations that could easily turn into book melodrama.

Fra: The writing is gorgeous and the author delivers a perfect story, series even, which tackles character development, love, loss in the most realistic manner.

With Val and Alex strongly ensconced in an even stronger relationship, Finches focuses Jav and Stef’s growth as individuals and as a couple and  crosses it with Geno’s hineous ordeal echoed by Micah’s. Each step in the characters development linked to a history of past abuse and survival. It is really beautifully done and as contemporary literary novels go Larks and Finches are some of the best I read last year, if not ever.

The series is ultimately  about love. The main characters are spread all over the sexuality spectrum but the romance is not the main focus of either book nor does it pay lip service to the almost voyeuristic interest in the characters orientation. There’s no unnecessary angst used as a narrative tool to progress the relationship – all of these characters talk, they are willing to talk and grow and accept each others strengths and flaws.

The characters in their 40s are not described as “silver foxes” in some superficial attempt to inject life in old, boring people. This novel and his brother deliver a realistic, relatable picture of people at this point of their lives. The empowering knowledge of who they are and what they like and their understanding of where their lives are at. Comparatively the teenage protagonists benefit from being portrayed faithfully as teenagers and from being able to rely on adults who are uncomplicatedly so. Both men and women are portrayed beautifully and at full capacity and potential and none as in need of the “magic dick/shag” that will sort their lives out.

Karen: I couldn’t agree more. For me the most surprising book was Larks, I found how the author dealt with complicated relationships extremely powerful and emotional without ever feeling fake or angsty. The love story in Finches was more traditional, in terms of how it unfolds, and that steadfast love worked so beautifully with the turmoil that Geno is dealing with.

I have really struggled to find books that match the emotional maturity of this series since.

All in all I we were really happy that we  did not let the mislabelling stop us from reading both Larches and Finches: it was an incredibly rewarding experience and one that we highly recommend.
A note/TW: Geno’s hideous ordeal is realistically described and informs much of the book. It was hard to read. A heartfelt sadness at the horrific treatment of this very young man pervades much of the story while also realistically describing the steps Geno takes towards recovering at least parts of himself. It does not make easy reading but it is rewarding and creates awareness of the cruelty many young people are subjected to in the world.

 

A note: Alex is forced to move from Chile in the aftermath of 11/9/1973, he speaks Spanish frequently; Javier is of Dominican origin but born in New York, he also speaks Spanish frequently. Although I understand them I have no reference to establish whether the Spanish they speak is genuine to the characters that they are. It felt genuine to me but we have heard feedback from Spanish native speakers that there were some grammar mistakes.

 

 

Christmas is coming..

 

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Few things get us in the festive mood more than a Christmas story, or three, well maybe a snowball with a glace cherry and a jumper with lights ? We can’t share those with you, so it’s the shorts..

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Jo Chambers is one of our favourite authors, and these three are a treat, especially Rest and be Thankful.

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Quin Flint is unimpressed when his gorgeous colleague, Rob Paget, asks for extra time off at Christmas. As far as Quin is concerned, Christmas is a giant waste of time. Quin’s on the fast track to partnership, and the season of goodwill is just getting in the way of his next big project. But when Quin’s boss, Marley, confiscates his phone and makes him take an unscheduled day off, Quin finds himself being forced to confront his regrets, past and present, and think about the sort of future he really wants…and who he wants it with.

Mr Perfect’s Christmas

Sam Warren’s new job hasn’t been going so well so the last thing he’s in the mood for is the obligatory office Christmas party, particularly since Nick Foster’s going to be there. Nick–the guy whose shoes Sam has been trying to fill–seems to take very opportunity to point out where Sam’s going wrong. But when Sam receives an unexpected Secret Santa gift at the party, he’s forced to question his assumptions about his rival. Could it be that he’s been misinterpreting Nick’s actions all along? And is it possible that his reluctant attraction to Nick is reciprocated?

Rest and Be Thankful

Things haven’t been going well for Cam McMorrow since he moved to Inverbechie. His business is failing, his cottage is falling apart and following his very public argument with café owner Rob Armstrong, he’s become a social outcast. Cam needs to get away from his troubles and when his sister buys him a ticket to the biggest Hogmanay party in Glasgow, he can’t leave Inverbechie quick enough. But when events conspire to strand him in the middle of nowhere in a snowstorm, not only is he liable to miss the party, he’ll also have to ask his nemesis, Rob, for help.

Buy Links: Amazon US | Amazon UK | KOBO | Barnes & Noble

Length: 59,000 words approx.

Cover Design: Natasha Snow

Author Bio

Joanna Chambers always wanted to write. She spent over 20 years staring at blank sheets of paper and despairing of ever writing a single word. In between staring at blank sheets of paper, she studied law, met her husband and had two children. Whilst nursing her first child, she rediscovered her love of romance and found her muse. Joanna lives in Scotland with her family and finds time to write by eschewing sleep and popular culture.

 

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Captured Shadows

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Jim Sinnett spends his days on respectable portrait photography and his nights creating scandalous erotic pictures for men who hide their desires in locked cabinets and between the pages of books. When a new friendship leads to a secret opportunity, one more dangerous than ever before, Jim agrees to step in front of the camera but finds himself baring much more than his skin.

A twisting historical romance set in the fog of Victorian London, Captured Shadows follows the path of love, blackmail and obsession to a devastating climax.

As of writing, this book is still free/ pay what you fancy  here

Karen: I downloaded this for free, but it was so good I have since gone back and paid . I actually got this because I’ve had RR Stockholm Syndrome trilogy for ages, and for whatever reason I haven’t read it – but I really enjoyed the Trojan Project. I would say that this book is in my top 10 reads this year.

Fra: We have indeed been talking about reading Stockholm Syndrome for ages and I am so glad your love for Captured Shadows transmitted so clearly that I went and got it as well. No doubt this treasure of a book has made my top ten this year as well.

For one the writing is gorgeous:

“My wings get dusty in the street, sir, I keep them folded in a hat box at home while I am out in town”

The sentence is in the opening chapter and I was absolutely and utterly in love. Ordinary Victorian London – as is  the main narrative – is conveyed so lyrically to almost sound poetic.

The language and imagery throughout are just beautiful and captivating while the characters – and the story – remain realistic and intriguing.

Karen: One of things I really enjoyed about Captured Shadows  is that while it’s a romance, it doesn’t seem to follow the same structure as others, and  also neither of the main characters were rich/ titled. The main way that authors seem to skirt male homosexuality being illegal in historical romances is to make at least one of the characters wealthy. In Captured Shadows you have a very real sense of the danger that Jim and Archie experience. I really appreciated that Rider developed all the characters as well, so that I came to want to know more of Sally’s story, and also John Percival.

Fra: I also think that it is important to notice the lack of “titled” gentry from the main plot: both men are working class and their love story does not rely on the “classic” historical romance  trope of title and wealth to shelter and  bring the characters to the happy ending.

 I actually didn’t see Captured Shadows as “romance” at all. Perhaps it is that I have grown weary of the tropes and formulas of the current “romance” offerings but Captured Shadows struck me more as a very effective foreshortening of Victorian London with its multiple layers; stuck between the righteousness and the sordid the book delivers some fascinating questions of the nature of morality and virtue.

The prominence of photography in the book is, in my opinion, critical to this: not only it delivers quite a portrait of Victorian’s fascination with new technology – but most and foremost the upside view of the subject on the plates underscores the duplicity of society: respectable, borgeous, straight in the daylight – erotic, queer, seductive and spirited in the night.

I agree on the characters’ development Karen, I think all of them were incredibly well fleshed out and I appreciated greatly the way they represented the full working class spectrum: from Mr Everett to Sally, from the newly born bourgeoisie to the prostitutes and everything in between. I found this to be a refreshing and realistic glimpse into Victorian society.

Karen: The central love story between Jim and Archie was beautiful, the sense that they were existing in a bubble at times, that this bubble was so fragile, and that if/ when it did burst something awful would happen.

Fra: This was an incredibly romantic book, by its own definition a “memoir of love”; the age of the lovers makes the relationship “[a] new and strange …unknown place, as though we were explorers in a distant land”  their beautiful and fragile bubble “filled with what felt like entire lifetimes’ worth of plans and dreams”.

It also starts on camera, if you will. And I think this was one of the best twists in the narrative: as Jim and Archie explore their newly found attraction in front of the camera their romantic journey flips the norm and starts quite publicly with them “half naked..pasted on countless cards for other men to crave” and then takes the lovers on a journey of discovery of what it means to be together for a lifetime. The epilogue, is slightly rushed, still manages to convey a lifetime shared, of love through the decades and the rapid changes of the world around them; finally of memories of a life well spent as lovers.

Here the relationship between Jim and Archie is, like you well said Karen, at times a bubble and at other times a very clear indication of the dangers of homosexuality in a righteous society. There is no buffer offered by manors and wealth to our two main characters, their continued relationship and happy ending is suffused by their intimate understanding of their circumstances and strengthened by the fact they are prepared to weather them together.

 

All in all this was a delight to read: romantic, realistic and poetically rendered; a true little gem of a novel we happy recommend to all.

An Unexpected Truth

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So happy to be hosting one stop on the tour for this excellent book:

A trust destroyed is a trust that is hard to recover…

Brendan Matthews is happy training racehorses for a living. He thinks he’s hit the jackpot when a wealthy orthopedic surgeon, Adam Ahmadi, sends six yearlings his way. Not only are the horses a cut above the rest, their owner isn’t too shabby either.

But not everything is as it seems. Adam has many secrets, most of them dark and deadly. When Adam’s past returns with a vengeance, he disappears, leaving Brendan confused and hurt.

If Adam survives, will his past destroy their future?

ARC of this book generously provided by the author.

Karen: I love SA Meade’s writing, and one of my all time favourite book is Stolen Summer, and there is a crossover with Evan and Colin (small but it’s there) in AUT. This is an interesting mix of romance and a kind of gritty ‘spooks’ type of suspense.

Fra: it was beautifully written: there’s a quality to tell a story in a strong quiet manner

Karen: I agree Fra, I really appreciate the almost understated style, so this reads as elegant and calm while the story line is actually exciting and fairly dramatic.

Fra: I liked the way the relationship between Brendan and Adam is quiet, strong and very ordinary: no sensational lust filled pages; these two old hands and carry on in the most ordinary manner – until they don’t that is.

I think Sue uses the ordinary rhythm of the couple to counterpoint the mystery/thriller setting.

Karen: very much so, Adam and Brendan fall into a slow burning and very deep romance from the off , these are very clearly grown up’s and romantically they behave as such initially.

Fra: Ultimately though although I did enjoy reading this book – I did think that mystery plot line was somewhat lacking and much was left unexplored.

Karen: I have to say I felt conflicted a little on both counts, however I don’t mind that not everything was explained in terms of the suspense, for me enough was, and I was satisfied. I also had totally no idea almost until the denouement of who was doing what to whom, and why.

I was a little frustrated with the lack of communication, especially the first time it happened, it actually seemed unnecessary – especially as Adam clearly wanted to be with Brendan, it seemed odd that Adam would not just Talk !

Fra: Yes, this was also at odds with how beautifully observed and subtle the earlier part of the book was, and there was enough suspense and drama in the the latter part that this really didn’t appear to be needed.

Overall this was a lovely mix of romance and suspense, beautifully written that worked more than it didn’t, SA Meade is an under recognised writer, who is well worth reading

You can buy AUT at Amazon USAmazon UK and we would also highly recommend a Stil Summer – available here

If you fancy your luck, and want to win a copy enter here

The Fangs of Scavo

Fangs bannerAt Scotland Yard, DI Timothy Stoker is no better than a ghost. A master of arcane documents and niggling details who, unlike his celebrity-chasing colleagues, prefers hard work to headlines. But an invisible man is needed to unmask the city’s newest amateur detective, Hieronymus Bash. A bon vivant long on flash and style but short on personal history, Bash just may be a Cheapside rogue in Savile Row finery.

When the four fangs of the Demon Cats of Scavo—trophies that protect the hunters who killed the two vicious beasts—disappear one by one, Stoker’s forced to team with the very man he was sent to investigate to maintain his cover. He finds himself thrust into a world of wailing mediums, spiritualist societies, man-eating lions, and a consulting detective with more ambition than sense. Will this case be the end of his career, or the start of an unexpected liaison? Or will the mysterious forces at play be the death of them both?

And just who is Hieronymus Bash?

We received an ARC of this book from Signal Boost PR for an honest review.

As spoiler free as possible !

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Fra: What an absolute delight of a book this is! Entertaining, plot and character driven all set in a accurate historical setting and with romance to swipe you off your feet!

Karen: What frustrates me with a lot of historical’s is the balance between making a book feel accurate and ‘real’ and modern requirements of readability. In my opinion Selina Kray gets it spot on in Fangs. 

Fra: I am happy to admit that historical romances are by far my favourite kind of romance.

I found that Fangs of Scavo was well researched which in turn lent the investigation at its core a well earned authenticity.

I won’t go into the mystery at the core of the book at all – I’d hate to spoil it for readers – but Kray managed not only to evoke the London of the time but also the undercurrent of spiritualism, rationalism and the strident relationship between aristocracy and the burgeoning middle classes.

One of the indicators of a good historical for me is the use of adequate language. Like you say, Karen, many a times in historical romances the language is strident to the narrative period: here I found Selina was able to use language to the complete advantage of the story and left me feel as if I was reading a novel from another time.

Karen:  The character of Hiero in particular was so endearing, his love for  his dead partner Apollo, and the attraction for Tim/ Kip is well balanced, and while the attraction is quite instant, there is no mention of love. I really really appreciated this.  

Fra: Yes! I loved that too. I loved that both characters are very well settled in their lives: Hiero has become a quick favourite, I find him strong and vulnerable at the same time but unrelentingly unapologetic about himself including the love and relationship with Apollo. In this I must admire Selina Kray’s avoidance of the insta love – “let me chuck everything I have ever done/loved etc away because all I want is you, bloke that I met 5 seconds ago” trope.

There is undoubtedly attraction, mostly piqued by the fact both men recognise a “mystery” in the other;  and Hiero and Tim are at the very -heady – start of a new relationship but oh how I appreciated the total lack of insta love and insta declarations of the big L word.

In fact I also very much appreciated the fact that – attraction and new beginnings notwithstanding both characters (well Hiero kicking and pouting, but still) are well aware of the circumstances they find themselves in and act accordingly. If I have a minor niggle is the addition of a tiny dose of angst in Tim’s behaviour towards the end of the book which I found a little bit forced.

Karen : What worked for me the best in this book was how the characters were both what you see, and totally not. So you had Hiero who appears to be the detective, is an actor and yet is actually a detective. Tim, who is a detective and yet is an actor, Callie who is a sweet young innocent, with a mind like a trap and a emancipated detective, Han and of course Goldie.

Fra: I thought the book was both plot and character driven: both MCs are richly fleshed out and expertly delivered: neither man is what he seems and I also particularly loved the way they are so very well layered. The appearance of both Hiero and Tim is at the same time incredibly deceiving and incredibly true. Hiero is flashy and ponce-ish to Tim’s carefully built unremarkable exterior: and yet both have secrets and layers of agency. Both play parts to an audience – although I must say that both MCs are aware quite early on of at least some of the parts the other is playing.

The secondary characters as well keep the layered approach well  firm within the narrative: from Callie who subverse every single societal expectation of her while completely playing the system, to Han whose cultural identity deceives every bystander into underestimate him and his role within Hiero’s group to, of course, the rather splendid Goldie.

I think that one of the strengths of Fangs Of Scavo is the complex nature of both characters and story is enhanced by the writing and the narrative approach but it remains a delight to read without ever becoming unnaturally complicated nor ever slipping into condescension and “lecturing mode” which seems to be the norm of many romance novels of lately.

Karen :  I agree with that, Fangs never talks down to the reader, and is a real pleasure to read,  SK writing style is very well suited to historicals, and my only (minor) complaint is that the language at times veers to the overblown.

 

All in all this was great fun to read, it delivered a well written story tight in both plot and character development; it also managed to satisfy on development of the book itself while at the same time making us  want to read more not only about the two MCs but also about every single one of the secondary characters and how they have all ended up together, we’re keeping our fingers crossed for more books in this series !

 

You can buy The Fangs of Scavo at Amazon UK, Kobo,  Barnes + NobleGoogle Play and iBooks

Enter here to win a copy of the book

Is this Love ?

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Here at Inglorious we’re pleased to be part of the Retro Review Tour for Suki Fleet’s This is Not A Love Story,  one of the most beautiful and tender love stories we’ve read in a very long time.

When fifteen-year-old Romeo’s mother leaves one day and doesn’t return, he finds himself homeless and trying to survive on the streets. Mute and terrified, his silence makes him vulnerable, and one night he is beaten by a gang of other kids, only to be rescued by a boy who pledges to take care of him.

Julian is barely two years older than Romeo. A runaway from an abusive home, he has had to make some difficult choices and sells himself on the street to survive. Taking care of Romeo changes him, gives him a purpose in life, gives him hope, and he tries to be strong and keep his troubles with drugs behind him. But living as they do is slowly destroying him, and he begins to doubt he can be strong enough.

This is the story of their struggle to find a way off the streets and stay together at all costs. But when events threaten to tear them apart, it is Romeo who must find the strength within himself to help Julian (and not let their love story turn into a Shakespearean tragedy)

Our thoughts :

Karen: I’ve had this book in my reader for almost a year, and I admit I was really nervous about reading it, because I’d heard that it was very emotional and angsty. But I have loved everything else I’ve read by Suki Fleet

Fra: Delicate and strong at the same time, written with resounding empathy and quietly brimming with hope in very dire, dark situations – This Is Not a Love Story is one of my favourite novels of all times. It is, also, one of those novels which I put on my son’s shelves to read when he is ready: this book not only is exquisitely written but it also makes you want to be a better person, it gently pushes you to take notice of the urban world around you and urges you to get more and more involved in social justice all while shining the brightest of lights on the type of love that gives strength and hope to overcome the most jagged of obstacles.

Suki Fleet brings out our more introspective nature, so we asked each other questions about TINALS. Remee is also Romeo’s name, so we use both at times .

Fra Q: Karen I know you were cautious about reading this book now that you have met Romeo and Julian what did you think of your reading experience?

Karen A : I’m actually glad that I read Suki Fleet’s books out of their writing order- I started with some shorts, then Light up the Dark, then Foxes – some more shorts and finally This Is Not A Love Story, as I was aware of the emotional punch that I was going to get. When I use angst in books, I mean the artificial set up kind. You know what I mean, the MC’s despite being able to articulate on page how they feel, and what is happening jump to the wrong conclusion because of over hearing a partial conversation/ seeing something out of context and then running away. Forcing out lovers to Face Up To Things usually that they should have a conversation ! So reading about these boys who struggled so hard to make their place in the world better for each other and faced big issues was a breath of fresh air.

That’s not to say I found this an easy read, but a good , satisfying, hopeful and emotional one – yes !

Fra Q: I find that one of the recurring themes in Fleet’s novels is the idea of safe spaces: in Foxes it was Danny’s empty pool and in Light Up the Dark the library – In This Is Not A Love Story is even something as small as the tarpaulin Remee/ Romeo and Julian use to escape the rain. Did you get the same feeling about space and feeling safe?

Karen A: I got a lot less sense of safety in This Is Not A Love Story  in the places that the boys occupied, understandably so really, what I did get was the safety of people, especially with Romeo. At times you forget how young, really young these boys are which I think allowed SF to explore how being outside society and it’s rules can start to damage people, but kept them optimistic and open (mainly) to others.

Fra Q: Suki’s writing also conveys how dramatically the weather affects the lives of these boys: the rain and the cold are relentless, I feel that the constant grey atmosphere adds to the idea that the boys and the homeless are invisible and occupy a parallel plane – You live and work in London, did you get the same feeling of two layered London: parallel, untouching, invisible to each other?

Karen A:  I had read a couple of books on homelessness and people who live outside of society coincidentally before starting the book, and I was struck by how much we don’t see, or how you normalise what you do see. Most of us will never experience what the characters do, so I think that when SF uses the weather, and the grey surroundings of social housing projects it really amplifies everything. It very much reminds me of how a visual artist can create a mood with colour.

Fra Q: There is no doubt that this novel is anguishing and heart breaking. The two main characters and the people around them are so very young and yet I find that the narrative conveys a soul warming sense of  hope. Hope born of the kindness of ordinary people – where even the smallest act of concern creates ripples that eventually foster positive change. How do you feel about Suki’s writing in relation to stripping down human need to its most basic form? I mean the characters need to be safe and comforted and warm and fed: there is not even space in their lives for wanting anything remotely superfluous.

Karen A: My answer to this, is kind of combined with my answer to your second question, the reason This Is Not A Love Story works so well is because of the youth of the MC’s for me. Despite some of the terrible things that have happened to them, they still retain hope and a certain innocence , especially Romeo. The more people are open and help, the more open he becomes, and his hope starts to affect Julian.

What I appreciate about Suki’s writing is how pared down it it, and yet so intensely emotional and how she gets into the heads of her characters.

Karen Q:Leading on from your question above Fra –  I find the balancing in Suki Fleet’s books to be one of their best qualities, did you find the balance here worked for you ? Especially between the reality as documented by the press/ TV of life on the streets and the version that SF portrays

Fra A: I think you are right, Suki Fleet’s writing maintains the most delicate of balances amongst all of the themes it explores. I think most and foremost with the light/dark balancing act Suki conveys the possibility of heartbreaking beauty in the darkest of circumstances. It is, in my opinion, one of Fleet’s greatest talents: this ability to convey the brightest of lights in a single act of kindness, a tiny, random touch, a smuggled cup of tea, a kiss between young lovers.

Her themes remain dark: the lives of Romeo and Julian and Cricket and Pasha on the streets are portrayed delicately but in a manner that never skirts the devastating reality of it.

I believe that “reports” on homelessness are in the most geared to offering the public a vision of it that can be related to our own experience. The problem with this approach is that yes, for sure, many of us feel a need to help and do something about it – charity work, donations – and yet it fails, in my experience at least, to convey the actual lives of the people. Suki Fleet does the opposite they do not spend any time on denouncing homelessness rather they show us in no unflinching terms what the actual lives of these young people on the streets are like. We don’t get to see their lives from the comfort of our own homes, we are transported and immersed completely in theirs. And that to me  is the sign of the strongest of writers.

Karen Q: As always in Suki Fleet’s books the supporting characters play critical roles, and the kindness of ordinary people is another one of their recurring themes (and in truth with many writers) there were some pivotal moments in this – which were yours ?

Fra A: Oh yes! The secondary characters add so much weight to the story!

Thinking about pivotal moments and roles within the secondary characters I can think of some which are critical to the story development.  Every act of kindness from Cassey, every cup of tea and every piece of food I think opens Remee and Julian to the possibility of kindness in the world and – as you said – to each other.

Cricket’s betrayal precipitates the dramatic development of the story and takes Julian from Remee thus allowing for Remee to become aware of the other possibilities in his path.

Crash’s refusal of stopping to being friendly and supportive of Romeo and his insistence that he gives his foster family a go makes Romeo aware of his own desire for something different and recognising the need to accept help as a way to move forward. I found this to be true of Kay’s character as well. She is so non judgemental and incredibly open to offer support in whichever way both Romeo and Crash and also Julian, may need it.

In summary I think every secondary character helps Romeo and Julian in their forward journey. However I think it is more a gentle nudge, a showing of possibilities and I love the way Suki writes stories in which  the protagonists first and foremost want to save themselves, and by acknowledging this internal need  they are then also able to save each other.

Karen Q: Romeo is very young, actually below the age of consent I think when the book starts. But TINALS deals with issues that are very adult as well, how did this affect, or did it, your view of Romeo and Julian’s romantic/ sexual relationship ?

Fra A: Actually no, Romeo’s age – and Julian’s who is also incredibly young – had no effect on my view of their relationship. The book tackles issues so fundamentally harrowing that I found the very fact the two boys find love in each other the very essence of what love and hope is about. At 15 and 17 respectively these two have experienced abandonment, homelessness, hunger, addiction not to mention prostitution. They are both very young and the fact they have this strong, unfaltering love for each other is what ultimately coaxes hope out of this story and brings light to the darkness.

TINALS Cover

Another highly recommend novel from us, with such a gorgeous cover.

You can buy this wonderful book at AmazonHarmony Ink

Enter the giveaway here

The companion book Wild Summer  shows more of Romeo and Julian’s new life, and also has more Crash

With enemies like these…

enemies cover

They’re dangerous men. Absolute enemies. And totally hot for each other.

Will has never met anyone like Kit. He’s arrogant. Gorgeous. Lethal. The most expensive bodyguard money can buy.

And Will can’t seem to resist him.

A simple command in Kit’s cut-glass accent makes Will want things he’s never wanted, do things he’s never done. Their red-hot chemistry is off the charts.

Just one problem: Will has vowed to kill the billionaire that Kit is hell-bent on protecting.

And Kit has secrets, too—his own reasons for sacrificing his soul, piece by painful piece, to keep one of the worst men on earth alive.

We received an ARC from the ever so generous authors as well as having pre ordered our own copies.

Karen: When I read the blurb for this book I was so excited. While I love Jo Chambers historical romances , I have recently discovered a weakness for spy/ undercover suspense. Carolyn Crane’s (Annika Martins alter ego) series The Associates I also adored .

However I’ve had a hard time recently with romances and very specifically with m/m romance so I was  a bit trepidatious when starting to read this, however I was hooked from the first page !

Fra: Me too Karen! I have recently grown so weary of the formulaic and over commercialised nature of m/m romance that I also was a bit apprehensive to pick up a book in this genre. And yet Jo Chambers is one of my favourite authors and I trust her with content, writing and her choice of co author. I was most certainly not disappointed: I positively loved this book.

Karen:  I really appreciated how the authors made a distinct difference between the voices of Will and Kit, one of my frustrations is when the tone of a book becomes homogenised US speak with no real feeling of place, and I was so pleased that this didn’t happen here. From the beginning Will and Kit were distinct and different.

Fra: Oh Yes! Absolutely – Will and Kit retain their cultural differences and both act distinctively according to these. I really appreciated that not only such distinction felt completely authentic it was also very cleverly underlined by the correct use of spelling for the UK/US divide. I admire this: in a genre where language is sanitised and localised to “bland U.S” setting in pursue of the largest audience, Chambers and Martin held their peace and used the cultural differences between the two protagonists to underlying their characters’ journey. And it was so well done.

Karen:  WillKit has a wonderful pace to it, I recently admitted that of late I had skimmed several books, because they were so predictable; not so here. The authors kept me on the edge almost all the time.  The balance between the suspense, romance and excitement is very well managed,  and while not massively complicated it’s not so simple either. I read this in one sitting

Fra: I found the book surprising, suspenseful, enjoyable to no end. The excellent writing sustains a tight plot. The characters move smoothly along the storyline while growing and moving closer at every turn. The pace, as you say Karen, was near perfect – the push and pull of the enemy to lover trope easily falling into pace with the story and the character development.

Karen: WillKit also uses time, and distance apart very well, the time between the encounters allows each man to explore their feelings and grow, combined with this is some actual communication between them. From the beginning it’s clear that Will needs to relinquish control at times, and this is demonstrated sexually initially, and then verbally. There is no dreaded misunderstanding either, which I think is the thing I dislike the most about the romance formula.

Fra: how very true Karen! Like I was saying earlier I think the pacing of this novel is perfect. Kit and Will circle each other, they examine each other and, absolutely, each encounter carries a new step in their development and a step further towards the final denouement of the story.

The story develops naturally, the characters journey devolves as a logical consequence of their first encounter and it does so, beautifully I may add, based on both Will and Kit’s response to each other and to how said response makes them question themselves. And the writing! The writing is beautiful – it is sparse without been dry, descriptive without being pedantic, it is witty and thrilling and I have to be honest here – sustains one of the best stories I have read in a very long time.

Karen :  I touched on the sex in the book earlier, and it is very sex positive without feeling gratuitous,  another balance which I have struggled  with recently. Here as well as illustrating the chemistry between WillKit ,  for me it solidified the connection and communication between them. I find that sex in a book has to add something to the overall story, and it doesn’t have to be on page graphic to work. The initial sexual encounters between these two really worked for me.

Fra: and it was also very, very sensual: charged, emotional, engaged! It furthered the romantic plot and the thriller one at the same time. I too grew weary of the sex in romance for sex sake: the tick box in the let’s titillate the audience box. Of course intercourse and intimacy are key cornerstones of romance but does it have to be so pedestrian all the time? Obviously, when faced with so good a novel as Enemies the answer is a resounding no; I am ever so grateful to Chambers and Martin for reminding me about the power of intimacy in romance novels.

Karen:  This was a really fun read, it’s not full of procedural accuracies, nor do I think it should be, there are plenty of books that do this but I would not call them romantic suspense.

On the negative side I did realise who  one of the bad guys was fairly early on,  so there was an element of waiting for the penny to drop within the story line, however I don’t see how this could have been changed.

Fra: I found Enemies Like You suspenseful, plot and character driven, romantic and highly sensual: great novel altogether. The storytelling was tight and emotionally charged and most and foremost it was so much fun to read. Regrettably I cannot go into details as it would spoil the whole plot, but Enemies Like You grabbed me from the very first chapter and kept me going with a big smile on my reader’s face happy in the knowledge that yes, there’s a whole lot of drivel in the genre at the moment, but there are also writers like Jo Chambers and Annika Martin who are masters of their craft and will always be delivering true gems like this novel.

A fast paced, romantic sexually charged well written fun read. What more do you need ? Aside from a whole lot of more novels about WillKit that is. In the meantime, highly recommended.

 

Last Dance of The Sugar Plum

 

sugar plum cover

TICK-TOCK-TICK-TOCK-TICK-TOCK

Jonathan is a spy.

Anton is Jonathan’s ‘keeper’.

Jonathan is a spy with a code implanted deep in his subconscious, so deeply he can’t remember—anything at all.

Anton is an interrogator intent on retrieving the code, whatever the cost.

But sometimes they dream of dark tunnels and locked-up rooms, and then they both scream.

TICK-TOCK-TICK-TOCK-TICK-TOCK

Along comes Harry, who seems to have all the answers…but who is he, and which side is he on?

TICK-TOCK-TICK-TOCK-TICK-TOCK

Bang!

For many months, Jonathan and Anton live apart from the world in a hazy, dreamlike state, only interrupted by interrogations and a healthy fear of HQ. One day, they watch a dance performance, and memories begin to unwind… A ticking clock… Betrayal… Missions… Always the scent of oranges. But with clarity, comes a return of powerful emotions…

Last Dance of The Sugar Plum is an exciting spy thriller with as many twists and turns as a maze.

 

Thank you to the authors and publishers for a review copy.

This review is as spoiler free as we can make it!

Karen: Straight off the bat, I would say that I haven’t read a more original romance in quite a long time, and what I enjoyed so very much about this book was that it kept me thinking. It’s not your typical spy story, nor is it your typical romance nor is it your typical romantic thriller BUT it has elements of all these in it.

Fra: This is one of the most original novels I have read in quite some time: in equal parts spy story and romance, the two authors manage to deliver a thrilling reading experience which compels the reader to pay attention from page one.

Karen: Because it’s focused so very much on what has happened to Jonathan and Anton, and the narrative slips from the past to the present this was an intense read, and why Jonathan and Anton are in the position they are in is only revealed towards the end of the book- so all the way through I found myself second guessing what was going on, and got it wrong, every single time. And that so rarely happens.

After reading my gran’s romance books (Georgette Heyer, Catherine Cookston mainly) I drifted into mysteries and thrillers, so to find books that combine both of these, and well is one of my great reading pleasures. This book made me happy!

Fra: I loved the switches between past and present. Throughout the book I felt that the alternating chapters took me to almost guessing what was happening in both timelines while at the same time kept me focused on the story.

One of the things that I loved most about the novel is the very theatrical  narrative: it is as if the authors are constantly pointing a blinding spotlight on the parts of the story they want you to see drawing your attention to the specific scene in front of you and not allowing you to focus on any of the surrounds.

Not only did this technique work for me on a narrative level, I also felt that it brought the shifting timelines together as both past and present chapters are well defined scenes. As such I felt it brought continuity to the story when the story itself was purposely very disconcerting.

Don’t even start me on the guessing, second guessing and third guessing! I mean more than once I thought I had it all figured out only to get to the next chapter and eventually to the end of the novel and realise that I had figured absolutely zilch out!

How rare it is that a novel keeps us guessing and constantly focused on the story and the characters without feeling claustrophobic or confusing? I not only enjoyed this book because it was a good story I absolutely loved it because it of its narrative structure and because it demanded my attention all the time at all times.

Karen: The relationship between Jonathan and Anton is complicated, and at the beginning I felt that there was an element of Stockholm syndrome going on, then co-dependency – but like everything else in this book, Claire Davies and Al Stewart took my preconceptions, and made me think, again and often again about what I was reading. There are times when you have to just trust in your authors, and for me this was one. These two write consistently different and excellent books without, as far as I can tell, any really obvious writing or plot repetitions or tells.  Their writing is spot on for me, neither too flowery nor too linear (I detest those books that read like a Delia Smith recipe- and then they did this, and then they did that etc) and they pack a lot into the books without them becoming diluted or shallow.

Fra: I agree: Stockholm syndrome and co-dependency crossed my mind too in relation to the MCs relationship: but  I trusted the two authors to push the boundaries of my expectations and stayed with the story. And how expertly they did so too! Through a tight plot, a perfectly sustained narrative and expert writing Al Stewart and Claire Davis took all of my expectations – together with the easy way out many would have chosen – and kicked them out of the field.

Everything I have read of these two authors has defied expectations and delivered original, clever stories which have made a real impact on my reader’s mind.

In this particular case, as I was saying earlier, it is not only the story that is phenomenal but it is the way that is written: while you read you focus on the events – both past and present – to try and pull  the threads of the story together and become invested on both threads and yet it is only when you get to the end that the whole story becomes visible. It is almost as if the novel is narrated in reverse.

I thought this novel original, clever and so far away from the norm that – never mind the story itself, which I loved, I absolutely fell in love with the structure, the narrative. All in all this was a winner for me and I highly recommend it.

Karen: I couldn’t agree more Fra, LDoTSP joins my best of 2017, and is highly recommended.

Also another book with an amazing cover by the equally talented Noah Homes
You can buy it at Amazon UK

 

Where Eagles Dare

 

Eagle's Shadow FIN1 (1)What if the new love of your life also holds the keys to your past?

When Chicago journalist Tom Welsh meets British banker Sanders Templeton at a conference, Sanders insists they have a connection, though he does not know what it is. They’ve never met before—but the strangest thing is, Tom can also feel it.

Sanders Templeton is a highflier who has it all—the money, the lifestyle and a rare intellect. Only a few chosen people know that he also suffers excruciating pain since childhood, with no cure, a mystery to western medicine.

Sanders knows that meeting Tom may be the most significant event of his life. As their relationship deepens, they learn that this is not the first lifetime in which they’ve fallen for each other. This time, true love can be theirs if they find the courage to forgive.

Disclaimer: We both beta read Eagle’s Shadow prior to its publication

Fra: Eagle’s Shadow is the  intense and compelling second installment in Aleks Voinov’s Witches of London series. Co written with Jordan Taylor the novel  can be read as a standalone but it does offer a window onto two of the characters’ lives – Julian and Lee – as they come to the rescue of the two MCs Sanders and Tom.

Voinov and Taylor’s writing complements each other beautifully and add an extra layer to the narrative: on the one hand the very European essence of Sanders and on the other Tom’s North American mannerism end up contributing in more than one way to the story and its development.

Karen: Totally agreed, it was great to read a book set in two main locations where you really did feel each place, Tom’s discovery of London was especially fun to read.

Fra: At times a realistic account of chronic pain as much as it is about the romantic journey of the two MC to finally accept the deep bond between them, I thought this novel principal strength rests in the complex relationship – from friendship to love – between Sanders and Tom as they explore the undeniable feelings of attraction and recognition and the manner in which these are interwoven with the exploration and eventual resolution of the pain, physical and emotional, which both men are in.

Karen: The attraction between the two of them was very immediate, and because of their history, it was one of the few times that the immediacy worked well for me, Sanders in particular is a complex character, and that is apparent from the off – however as you rightly point out Fra, so is Tom. It’s very cleverly woven, how these two twine together and then pull apart.

Fra: This is not an easy journey and the regression sessions reveal – and compel both the reader and the characters to relive – a odyssey through harrowing times from the Irish Famine to the utter madness of World War 2. As to be expected from both authors the accounts are realistic, harsh and historically accurate and the link between chronic pain and past lives is explored in detail but never forced on the reader.

Karen : The scenes where the characters regress are extremely powerful, but what was great to read was Tom’s logical skepticism,  for me it made him ring true – it needed something to temper the immediacy of the attraction- and this just did it for me. I  also appreciated the fluidity of the characters past lives, when I have read books with regression in before they seem often glamorous – but these were gritty real people.

Fra: To expand on that Karen – I particularly loved the tension between Sander’s determination to see the regression therapy through and Tom’s skepticism and denial of its effectiveness. I think this was one of the best underlying themes of the novel: the tension between Sander’s belief and Tom’s disbelief punctuates the manner in which the characters interact and eventually delivers a great emotional payout.

These are great characters; they are strong and broken at the same time, they are flawed and complex and realistically compelling. Their relationship from the undeniable sense of deja vu and belonging to the final denouement is also realistic and layered with complexity.

Karen: Eagles Shadow carries on with the theme set in Witches of London – Lars, of  different belief systems and ways of life being harmoniously integrated amongst the everyday. And I find this wonderfully realistic and inclusive, very reflective of the real community – especially as a sceptic myself.

Fra: Agreed Karen,  critical to the narrative is London’s Witches role. We see Lee in his practice as well as Julian in glorious supporting mode.And London itself – seen through Tom’s eyes in his solitary wondering is as much a character in the novel as the protagonists and roots the action in the strongest sense of place.

Karen: Ahh Lee ! Simply one of my favourite characters, I kind of want/ don’t want his story !

Also, a big shout out to Tiff, who has taken cover design for this series to a higher plane !

All in all this is a brave novel, unafraid to take its premises, and its characters, through the ringer before an emotionally rewarding conclusion and one that we wholeheartedly recommend.

You can buy Eagle’s Shadow here

 

Light up the Dark

lightupthedark

For two years Nicky has wandered the dark empty corridors of the overgrown Thorn Hall, unseen and untouched, feeling like a ghost. His only company, the cold man who promised to keep him safe from harm, Lance.

But when Lance dies, Nicky’s assurance of safety disintegrates and his world suddenly becomes a lot more real and a lot more dangerous. Scared to leave the house, Nicky longs for daylight. He employs a gardener to clear the over-grown bushes and vines that have nearly swallowed Thorn Hall whole.

The last thing Nicky expects a little light to do is show him something to fight for.

Eighteen months in a young offenders’ institute has taught Cai two things: he occupies the playful puppy end of the How Dangerous Are You? spectrum, and he has an unfortunate knack for being in the wrong place at the wrong time.

Desperate for a job, he takes the first offer he gets. Even though Thorn Hall creeps the hell out of him and he barely knows one end of a pair of garden shears from the other.

Things start to fall apart when Cai is drawn into Nicky’s strange world of sticky notes and secrets. Cai finds he is now a target, blamed for a crime he didn’t commit. Desperate not to go back to prison, he digs deep and risks all the good things in life to help Nicky run.

But now Nicky has someone he wants to protect, he knows he can’t run any more

Fra: Suki Fleet has been one of my most treasured discoveries of reading year 2016. Her stories are heartbreaking and beautifully written while at the same time affording both her characters and her readers uplifting experiences.

She writes contemporary tales firmly set in their environment and her writing evokes gritty, stark landscapes which are as much obstacle and redemption to her characters.

She explores themes of isolation, abandonment, mental illness and marginalisation in the most delicate of manners without ever turning condescending and without ever affording the facile endings so well loved of similar tales from across the ocean.

Light Up The Dark is her latest novel and it is – in my modest opinion – a classic Fleet novel. There are recurring themes, a strong sense of place, and a plot which carries the characters across a development and growth arc amongst some of the best I have read in 2016.

Karen : I would agree on Suki Fleet being a total find this year. I have become less tolerant of overtly formulaic books, and while I recognise that romance as a genre does operate within parameters, there is still scope for originality and difference. The previous books I have read by Fleet have been mainly NA and angst heavy, and I need to be in the right frame of mind for both of these to enjoy them. So I was trepidatious over reading one of her books, and I did start this very slowly, but after the first 10% I was hooked.

This book blew me away, Fra had already read it by the time I was 30% in, and I was like a giddy child with all the questions I was asking, and hopefully we won’t spoiler at all, or at least minorly.

Fra: I was absolutely hooked and I just could not put the book down. I am also very much in love with all of the YA/NA stories of hers I read in 2016; I too have by now a complete lack of interest in the overtly formulaic offerings of so many books that come from across the pond.

Add to the above the fact that her books are deliciously British and European in their outlook and approach – bleak and yet uplifting outlook and an approach to plot development which relies heavily on the characters own willingness to get themselves into the “light” and not some sort of narrative miracle, and Suki Fleet can count me as one of her diehard fans forever.

Karen : There are some great elements in LUTD, the Gothic setting of the decaying house, and Dickensian as well with Nicky somewhat like Miss Haversham living in the shadows. As Cai and his family start to invade Nicky’s life there is also a sleeping beauty feel, all of these are relatively subtle though. What made this so good for me was the balance between the psychological thriller and the romance. I think that to get the right balance is incredibly hard, and SF got it totally right for me. I wanted to know what was going on in Thorn Hall, and I rooted for Nicky and Cai.

Fra: Aren’t there just Karen?

I fear spoiling the novel if I go into more details. But let’s put it this way – Light Up The Dark is a psychological thriller with several elements of Gothic fiction thrown in for good measure.

Thorn Hall, I thought- oppressive, dark and dank and mysterious – is as much a character as Nicky and Cai in the story.

Cai’s progress on the overgrown outside of the mansion punctuates Nicky’s progress on the inside: Suki Fleet stated that Light Up The Dark is one of her less angsty novels and I tend to agree. Nicky is isolated and reserved for incredibly good reasons and yet he is the one to initiate the clearing of the wild plants that will eventually bring in both the light and Cai in his life.

I found that there were similarities between Foxes and Light Up The Dark in the way Fleet uses space around her main characters. In Foxes the disused swimming pool Danny uses as a home brings him solace and protection and allows him to retreat from the world around him at will. Comparatively Thorn Hall affords Nicky a modicum of security and protection even if he has started to feel ever so slightly claustrophobic in it. I thought it was particularly poignant how both men build themselves  some sort of inner sanctum in the places and how in Nicky’s case the dark is both comforting – in the space he chooses for himself – and frightening – everywhere else in the house. (note I’d love to be more specific but I am absolutely not going to spoil this story)

Together with the classic “person in the turret” Gothic trope I also thought the book had a very cinematographic element to it which reminded me of some of the greatest noir psychological thrillers of old times. In particular I did mention to Karen that Thorn Hall reminded me of Mandalay.

Karen : Nicky is a fascinating character, an inconsistent mix of vulnerable and strong, scared and brave (with good reasons for all of these) and he is matched so well with Cai – also a complex character – despite Nicky being the elder it is Cai who comes initially as the most mature, and then as in all good books they switch roles. Cai’s sister and her friend Loz are wonderful supporting characters as well, while young they are also quite emotionally mature and not there for diversity window dressing.

Fra: I agree on both counts. Nicky is abrasive and guarded, frightened but determined and is the perfect match for Cai. I found Cai equally determined, vulnerable and yet strong and in control.

It had been a while, also, since I read such an intense and sensual intercourse between two main characters.  Not gratuitous or a tick box in a narrative lull. When the two main characters get together it propels the story forward both on plot and character development. It was beautifully written and highly romantic.

The alternate point of view is also incredibly well done. I do think Suki writes her secondary characters as if they were the protagonists of their own story and this lends strength to the whole novel.

In Light Up the Dark Loz’s viewpoint works as a brilliant counterpoint to the main plot line and offers, in several slow reveals a completely different angle on the on going story. Which is already quite the reversal of roles given that Loz is a teenager but their actions in the story also affords a queer character pivotal, and incredibly positive, agency.

The same can be said of the rest of the secondary character – mostly women – who at critical points of the story safe the day in a complete reversal of what the formulaic approach would have demanded of the story.

Karen : Because LUTD was published early, I can say that this was one of my top reads of 2016 now as well !

Fra: Agreed !

Overall we found LUTD gorgeously written with Gothic overtones: the pacing is relentless sustained by a tight plot and beautifully upheld by complex character development across multiple point of views.

The language is achingly beautiful, the story gorgeous and romantic; and once again Fleet explores complex themes – isolation and mental health to mention but two – in a delicate way and brings about a satisfying conclusion without relying on the facile denouements so overused in many of this genre novels. Highly Recommended

About the author:

suki-fleet

Award Winning Author. Prolific Reader (though less prolific than she’d like). Lover of angst, romance and unexpected love stories.

Suki Fleet’s first novel This is Not a Love Story won Best Gay Debut in the 2014 Rainbow Awards, and was a finalist in the 2015 Lambda Awards. Foxes won Best Gay Young Adult story in the 2016 Rainbow Awards.

You can contact Suki at sukifleet@gmail.com

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